“May My Wrongs Create” in d’Alto Sonia (ed.), Le Nemesiache (monograph), Nero Edizioni, 2025.
“An Ear of Grain Cut in Silence” in Ozlem Altin. Works, Berlinische Galerie/Hannah Höch Prize, 2024
“Architecture of Intimacy,” in Worlding Ecologies, Valiz Verlag/CCA, NL, 2024.
“Whispers of the Gods” in A più voice [In Several Voices], Academie of France in Rome, 2024.
“1957-2022: Borders Outside, Illusions Inside” (co-written with Antonia Alampi), in Visio catalogue, Lo Schermo dell’Arte, Firenze, 2023.
“All the Rooms Need Decorating” in Remember to do those things done before that need to be done again Sarah Entwistle, Museo Nivola (2022).
“Il Mestiere del Critico” in Finestre sull’arte, in Finestre sull’Arte. (2022).
“In un perpetuo stato d’agitazione,” in Archivalia, In Ruins – Editorial Series (2021).
In the Darkness of the Night at Sea in “Oracular Visions,” edited by the students of the MA in Curating, Dep. of Culture and Aesthetics at Stockholm University, (2020).
The Out of the Rooted, On Emma Howes, (K Verlag,2019).
Imminent Movement, commissioned and published by Sharjah Art Foundation, (2019).
The Unruly Quotidian. Commissioned by Louise Hobson, Grand Union, Birmingham, 2019).
Touching Across Time. In Agnieszka Polska’s The Demon Brain. With contributions of Norah N. Khan, Margarida Mendez, Matteo Pasquinelli, Gabriel Quandt. (Koenig,2019).
Telluric Movements / Dream Sequences, On Pedro Gomez-Egaña, (2019).
Voices, Birds, Stone Tools. On the work of Agniezska Polska (April 2019).
“Red Scar(f) — What My Grandfather Was to Us.” In Perplexus: Entangled Perspectives on Participatory Citizenship. With Federica Bueti, Nikita Dhawan, Kotti & Co, Margit Mayer, Alper Şen, Jan Verwoert, Meyda Yeğenoğlu a. o., Haus der Kulturen der Welt (HKW), Berlin.
Spills: Retrospective Reflections and Contaminated Afterthoughts. Commissioned by PZI MA Fine Arts, (Rotterdam, 2018).
It Will Make No Fetish of Self. Or Rather, It Will Seek a Multiplicity of Forms. On the work of Kitty Kamp, (2018).
In the Borderland.Notes on Biho Ryu’s Letters from the Netherworld. (Bethanien, 2018).
Erotics as Power: On the Work of Julie Favreau. (2018).
“In The Present Tense” in Vàclav Janoscik, Vit Bohal, Dustin Breitling (eds.), Reinventing Horizons. Published by Display Editions, Prague.
Lose yourself (There is Life in the Breaks). With Anne Boyer, Denise Ferreira da Silva, Eduard Glissant, the junkmanofAfrica, Fred Moten, Simone Weil. In Madison Bycroft Afternoon in Medias Res. With contributions by Hélène Cixous, Marika Kandelaki, Sabrina Soyer, Inigo Bocken, Mary Wichmann, Sofia Stevi, Joel White, Kate Briggs, Hamza Elayyan, Eimear Walshe, Ask Kilmartin and Anni Poulakka. (CAC Brétigny, 2018).
Informal Feminisms (co-written with Jan Verwoert) in Carla. Contemporary Art Review, L.A. (2016).
“Cracking Apart, But Holding it, Still” in Mai Abu EIDahab (Ed.), Final Vocabulary: On Searching for New Languages. Contributions by Malak Helmy, Francis McKee, Haytham El-Wardany, and Brian Kuan Wood. Published by Sternberg Press, Berlin.
Lying Freely and The Weather. On Ruth Buchanan’s writing in Three Letter Words magazine (2015).
︎ Reviews and interviews